3d Blending Secrets Solving Camera Angles Bullet Trajectorie

i wanted to do is get somebody in a that can do 3d blending i feel like i gave them all relevant information that they would need to to draw lines wherever they needed to for a line of sight we'll go through this and then y'all can kind of poke and prod on where i've where i've come from anyway so we got four cameras here i just told them to to put the cameras down get get close just get close it doesn't have to be exact get close i mean everything i do is is ballpark right i used to tell my shooter just put the crosshairs on the target and pull the trigger dude it'll it'll hit load your load your dope and pull the trigger anyway um yeah four cameras charlie kirk uh have the chair have the table have charlie kirk have your four cameras in location and then and and and obviously the setting get your get your measurements correct and then if you scroll down The next thread, we'll get into what I believe to be bullets. Now we can get into the question of the videography side of it here in a second. But let's just, can you full frame that one? All right. So we have a, the arrow is, I know what it sounds like. Trust me. I know. I know. This is the, I'm assuming the bullet breaking the sound barrier accidentally. the circle is a reflection of that in some way and then the square is where that reflection is on that window and so you and and then you have camera location and so you can uh you can place that bullet in 3d space I mean, you don't, you don't even have to triangulate. You have four. I mean, you could, you could do like three triangulations to get, I mean, exact, exact, if you wanted to. And then all you have to do is trace back 45 degrees, top left off of the 90 degree, um, white angle looking thing, if you will. And I'm perfectly willing to be wrong on this. I just, I, somebody has to throw it in blender and show me that it doesn't point exactly where it's pointing. Um, to some extent. And then if we go down, there's another three photos, which are what I believe both two, two of them are from that same exact camera angle. Whoever filmed that angle, that, that camera is a Patriot possibly if I'm right. And then, all right, so this is a one on exit. I know it doesn't show it's hitting yet, but this is, this is on exit. The next one is the same frame. You go to next image. Yep. Stand by. No, you're good. And so if we go to next image, this is basically same camera, next frame, and it's appearing. And then if you go next one, this is the other camera. Same exact frame as the other bullets. So, okay, so I saw. I initially thought this was pre-hit, but it's not. It's not because it matches up with the other bullets frames and it's one frame prior to Charlie Kirk appearing to be hit.