Bullet Trajectory Mystery Unpacking Google Earth Clues

So this is, that's what I was floating. I'm sorry to keep on interrupting you. Okay. So if you, if you take my trajectory to the right, this is what I was looking at too initially, cause I was trying to get the shot at, I was trying to get the shot at like one 40 to 200 yards, given a, given like a 300 FPS. There's a building off to the right. Are you Google Earth? I can't even see what's going on. So there's a building off to the right. Beyond the building with the staircase. That's another like three stories. And so I was looking at that. We can bring up what he's talking about. It's, it's fine. I mean, you, you can't, I don't think you can make that shot. Yeah. So if a, we were looking at big white building to your right. But the audience knows down here and then here's the location of the alleged shooter and we're talking about this building right here and I'll turn it around so I can change the heading. You have an audio issue as the problem. You're your audio. Yeah. Yeah. So you're, you're shot and report doesn't, doesn't allow for that far of a shot. Unless it's like 6,000. Yeah. You just, you just, you, you can't, you just can't. I was telling Cancon this, that the, where he was shooting from would be in the way of that shot. Yeah. I mean, you could probably make it. I mean, five, 500, you could drop it over the top of his head. Oh, you can't, you can't shit. It's too risky though. You don't, you don't risk that shot on something like this, right? If you, if you take a shot at the King, you don't miss, right? They'd already did that one time. Why, the guy that he's interviewing standing right in front of them, there's only what maybe what 12 feet between him and I just don't think you can make that shot. I mean, you, because there was a location up here. But it's just, to me, it looked too exposed because you have a walkway that's right here. But let me see if we can get it right. We were saying, of course, it's not going to want to work. I think that, I think that, I think his building is in the way again. I think you could make that shot. If you could shoot that shot like a hundred times practice and then do it one, one time real time. I mean, you would have to have practice shots. I mean, at that point you would, you would have to apply what I've mentioned this a few times in a couple other streams. You would have to apply what's called loophole theory. Typically it's when you back off in a, in a, inside of a room and you have a small hole or probably two holes, a hole to see through and a hole for the bullet to go through and it adjusts based on a height of scope and a trajectory of round, you could do this almost like a plunging fire. It would, it would have to go over the top of the building. I just don't think there's enough elevation on a, on a bullet flight like that, along with, along with, you just don't have the audio for, for round and report it's even, even if you had a double shot, even if somebody else got a shot off, you would still have two reports. And you're saying that when you say, when you say two reports, you're saying that the kid shot as well, whoever it doesn't, it doesn't matter. Oh, I don't. So that's the thing. I don't think the kid shot. I think that kid was up there observing. Yeah, fine. But you don't have the audio, right? Just so the audio at three, 3000 FPS, if we assume 3000 or 2,500 or something in that ballpark, you're looking at 140 to 200 meters and it's just not there. It puts it where the kid is. And again, if you, if you slow it down to a subsonic speed, a subsonic would be like 1141 or something like that, give her, give an atmosphere, but let's just assume 1200, it puts you at like, I can't remember the math, like 70 to 90 feet, which would put me exactly correct on, on the shot from the right, most likely on the balcony behind what people were reporting was a bush up there at the time. You're saying that this area right up here, right? Uh, there you go. You're talking about this area right up here, right? Uh, yeah, somewhere out there. And let me, again, again, the 3d model will tell you exactly where it is. Who, I mean, as soon as somebody wants to push that out, uh, it, it's, it is what it is. These are the windows that we saw the reflection symbols that you did. Right. Or was it these sets? I think it was down, down, right. Bottom, right. I'll go to the stairwell, go right. Yeah, right. Nope. Left. There's a perfect right there. That's your reflection in the window. I think pretty sure. Yeah. Now, if you go, there's another video, I don't have the HD for it. If you go, go back in real quick where you just were on the stairwell, uh, go building left, go bottom right window, go over left one and go up one. Sorry, this is a lot. Go bottom, right. All of the windows. I didn't let me zoom in anymore. Oh, there we go. There you go. All right. Go left, left. Nope. No, no, I was just single pane windows all the way to the right. Bottom, right. We'll start there. Where's your mouse set? No, no, no. Big white building. All right. Yep. Go left, left one pain, left one pain, go up one pain. There's a video that shows what should be, uh, or the sink, the frame, it should be probably where, uh, where the shot should have been taken in that frame, given everything else. I don't have that video. I don't know where that video is, but it exists. Uh, I think it's actually on YouTube and HD. I just haven't really searched it out. Honestly. I don't care to have everything else. I need now for this, we would need, there would be a flash, there would be a flash about right there, but we would need either an open window or a window that shows damage, which that would have been reported. So this would have had to have been an open window then it wouldn't have been reported. But I agree with you. I agree with you. Yeah. It is all glass, at least from what I can tell it's still all glass. Uh, now if you want to go, if you want to pull up a Google, uh, Charlie Kirk Memorial and there's a Fox news image with a flag and the windows behind it. Oh, go to images. Yeah. You go to images. It'll, it should pull up. I'll talk to her memorial. I'll just type in Fox. Fox UVU probably. Yep. Go to UVU. I wonder if it'll come up. Yep. Uh, bottom right. Well, it might be one. That's not the one I'm thinking about, but you can pull it up. It's close enough. Uh, these three windows on the right, if we go left, left, and up to the very top, it's, I think the bullet should be somewhere up there. If I'm correct. So like up in here, far, far right, far right of the entire image, where it ends, where the bullet ends on three frames. The start of the end, go left, left, and up to the very, very tip top. Should be somewhere in that ballpark. No, no, no, we're talking to single frame, single, single panes of windows all the way to the far right of the entire image. Oh, yeah. Right. I thought, yeah, yeah, yeah. Yep. Exactly. Oh, okay. I got you. Well, yeah. Bullets shouldn't end up over there somewhere if I'm right. And also they re they rip all the vinyl off of those windows afterwards. I think they actually replaced the glass. At night, but that's very conspiratorial. There's another image of the, of the Fox that it reflects differently. I think we can all come to the safe conclusion that this is the grassy knoll of our generation, because if, if JFK had these type of resources in November 22nd, 1963, Oswald never would have been arrested. Jack Ruby never would have killed Oswald and I pray to God, there's no Jack Ruby lurking in the shadows waiting for Tyler Robinson, cause I don't think that kid took the shot. Well, you have.